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Lawrence "Larry" Smith (June 11, 1951 – December 18, 2014) was a pioneering African-American musician and hip hop record producer. He is best known for his co-productions (with Russell Simmons) of Run-DMC's ''Run-D.M.C.'' (1984) and ''King of Rock'' (1985) and his solo production of Whodini's ''Escape'' (1984) and ''Back in Black'' (1986). It is a measure of Smith's creative range that he could work simultaneously with the decidedly dissimilar Run-D.M.C. and Whodini. The former was rock-oriented, the latter leaned toward R&B—or as the critic Tom Terrell suggested, "Smith envisioned Whodini as the luxe Cadillac Seville to Run-D.M.C.'s Electra 225 hooptie."〔Tom Terrell, "The Vibe History of Hip-Hop," 1995, p.50〕 Smith's work has engendered not just critical esteem, but popular success. In the month ending February 23, 1985, both ''Run-D.M.C.'' and ''Escape'' were certified gold by the RIAA, as was the Fat Boys' eponymous debut album, on which Smith played bass and helped to compose the hit single "Jail House Rap."〔Nelson George, "The Rhythm & The Blues," ''Billboard'', February 23, 1985.〕 These were among the very first hip hop albums to be certified for Gold-level sales by the Recording Industry Association of America. In 1987 Whodini's John "Ecstacy" Fletcher described Smith as "the Quincy Jones of rap."〔''Right On!'' Music Special, Summer 1987.〕 In 2010 Run-DMC's Darryl "D.M.C." McDaniels claimed, "Larry Smith's musical arsenal equals Dr. Dre's."〔Vibe.com, April 14, 2010.〕 In 2009, the producer DJ Premier placed Smith first on his list of Top-5 Dead or Alive Producers, ahead of Marley Marl, Quincy Jones, James Brown, and Rick Rubin.〔allhiphop.com, May 27, 2009, http://allhiphop.com/stories/djsproducers/archive/2009/05/27/21614431.aspx.〕 ==Early career== Larry Smith grew up in St. Albans, Queens, New York, and attended Andrew Jackson High School. He taught himself to play bass by listening to James Brown's records. Eventually, Smith did all kinds of session work, played punk-rock, jazz, and blues, then logged stints in the house band of more than one musical.〔Adler, Bill, "Tougher Than Leather: The Rise of Run-DMC," 2002, pp. 51, 52.〕 In 1979, Smith was recruited by his old friend Robert "Rocky" Ford, then an aspiring record producer, to play bass on Kurtis Blow's "Christmas Rappin'." Smith went on to co-write and to play bass on other Blow recordings such as "The Breaks" (one of the first hip hop records to crack into ''Billboard'' It was while working with Blow that Smith met Blow's manager, Russell Simmons. By 1982, the pair was producing records together, starting with a couple of singles for the rapper Jimmy Spicer: "The Bubble Bunch" (1982) and "Money (Dollar Bill, Y'all)" (1983). The latter has been sampled no less than 15 times, including by De La Soul ("Bitties in the BK Lounge," 1991), Maino ("Hi Hater," 2009), and Kanye West ("Eyes Closed," 2010).〔http://www.whosampled.com/sampled/Jimmy%20Spicer/.〕 Retitled "Money Money," the song was covered in 1987 by the Jamaican toaster Reverend Badoo, who gave it a dancehall reggae treatment. (In 1985 Smith produced "Roots, Rap, Reggae" for Run-DMC and guest artist Yellowman. It was one of the earliest rap-reggae collaborations.) It was also covered by Coolio in 1997.〔(【引用サイトリンク】title=Coolio cover of Jimmy Spicer's Money (Dollar Bill Y'all) - WhoSampled )〕 It was also in 1983 that Smith teamed up with guitarist-deejay Davy DMX and drummer Trevor Gale in a group called Orange Krush. Its one single, "Action," was very influential, not least because of Gale's stark and funky drumbeat. Before the year was out, Smith had transferred the beat to a drum machine, added some handclaps, and bestowed a name on the result: Krush Groove. He proceeded to apply the Krush Groove as a foundation to four of Run-DMC's early singles: "Sucker M.C.'s (Krush-Groove 1)," "Hollis Crew (Krush-Groove 2)," "Darryl & Joe (Krush-Groove 3)," and "Together Forever (Krush-Groove 4)." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Larry Smith (producer)」の詳細全文を読む スポンサード リンク
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